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Showing posts with label ARMORED MERCEDES-BENZ S600. Show all posts
Showing posts with label ARMORED MERCEDES-BENZ S600. Show all posts

Tuesday, July 19, 2011

Mercedes-Benz inaugurates new climatic wind tunnels: Weather at the touch of a button


Stuttgart - Mercedes-Benz has inaugurated two new climatic wind tunnels at its Sindelfingen site, designed to bring extreme weather conditions indoors. Temperatures ranging from minus 40 to plus 60 degrees Celsius, hurricanes with wind speeds of up to 265 km/h, tropical rainfall and heavy snowstorms are all part of the standard repertoire available here to the test engineers. If needs be, they can even provide a realistic simulation of a mercilessly hot sun. The new climatic wind tunnels make it possible for the engineers to optimise new vehicles or components for all possible weather conditions at a very early stage of the development process. So in future, real-life road tests, in arctic cold or the blazing heat of the desert, will only take place with prototypes that have already reached an advanced stage of development by being thoroughly tried and tested under the most extreme climatic influences. This enables Mercedes-Benz to achieve the highest possible quality. The clear ambition to do so has been a key element in the philosophy of the world's oldest automotive manufacturer for the last 125 years.
Cars these days first take shape on the computer. The initial crash tests, aerodynamic studies or suspension testing, too, are undertaken as electronic simulations in a virtual world, long before the first prototype is built. Simulations like this can never, however, replace the use of test rigs or real-life tests.
In order to close further the gap between simulation and real-life testing, Mercedes-Benz has now taken two new state-of-the-art climatic wind tunnels at its Sindelfingen site into operation, following two years of construction work. This marks the completion to schedule of the next stage of expansion for the Mercedes-Benz Technology Centre. Research, development, design, planning and production teams work together at the Sindelfingen location in a close network that is unmatched by any other automotive manufacturer in the world.
Vehicle testing in its finest form
One of the two new climatic wind tunnels is designed as a cold tunnel, with a temperature range of minus 40 to plus 40 degrees Celsius. The new hot tunnel, on the other hand, offers a temperature range of minus 10 to plus 60 degrees. Each tunnel is equipped with an integrated twin-axle roller dynamometer that allows speeds of up to 265 km/h – and thus with sufficient reserves for even sports cars to be tested on the rig here.
The new climatic wind tunnels replace the cold tunnel that has been used until now, in which temperatures down to minus 20 degrees Celsius and speeds of up to 64 km/h are possible, as well as a hot tunnel in which the maximum limits are plus 40 degrees Celsius and a top speed of 100 km/h.
Dr Thomas Weber, Member of the Board of Management of Daimler AG responsible for Group Research and Mercedes-Benz Cars Development: "Even in the arctic regions of Sweden, the temperatures in winter are not always as low as we would like them to be for our test drives. Likewise, nor can we always rely on getting the extreme high summer temperatures we need for testing, even in America's infamous Death Valley. In our new climatic wind tunnels we can create whatever climate conditions we want at any time of year, whenever we need them. And we can do so with very tight tolerances, so the measurements can be reproduced at any time. That's just not possible out in the open air."
As Ulrich Mellinghoff, Head of Mercedes Safety Development adds: "We don't want to use the new climatic wind tunnels as a substitute for road testing, but we can now do less of it and are also far better prepared when we do go out. For example, if we have 20 different engine heat shields, we can already eliminate many of them in the climatic wind tunnel because they don't have the desired effect. We will then go on to do real-life testing with just the most promising two or three variants. We therefore spare ourselves a lot of very time-consuming road tests early on, and yet our prototypes are still at a much further advanced stage of development. And that means that we can meet our very challenging objectives much sooner."
Realistic road tests in all weather conditions
The scope offered by the new tunnels is indeed enormous. They can be used to simulate virtually any environmental impact under a whole range of operating conditions. Driving under either full or partial load can be simulated, at top speed or at the crawling speed of a traffic jam, uphill or down, in order to test the brakes to their limits. And pretty well any sort of weather is possible. Extremes of heat and cold, dry desert air or the humidity of the jungle, drizzle or a heavy downpour, sleet or snowstorm, cloudy skies or blazing sunshine – the test engineers have a vast repertoire of weather conditions at their fingertips.
They take advantage of this in order to test a vast range of vehicle components and functions. They can test, for example, the engine cooling system under very different stresses. Or they can check whether the air conditioning and heating systems are capable of regulating the interior temperature in all circumstances, so ensuring that the occupants remain comfortable. The engineers will also take a detailed look at the windscreen wiper function to see if the side windows stay clear in filthy weather. In the new cold tunnel, they can even find out if snow swirled up by a truck driving ahead of the car is likely to block the air intakes. And of course they also subject the vehicle electronics to extreme climatic conditions, and test dozens of other vehicle components in the weather test station. From an engineer's point of view, it is particularly important that the tests can all be repeated at any time under precisely the same conditions in order to verify the results - a luxury that nature does not always afford.
Fit for the future with alternative drive systems
A further advantage of the new climatic wind tunnels: they are designed to accommodate the use of hydrogen and therefore eminently suitable for all alternative drive systems of the future. Special sensors and an effective air extraction system mean that fuel-cell powered vehicles can also be subjected to exacting test programmes here.
Wind and weather tunnel plus roller dynamometer - all in one
There is a lot of complex engineering behind the exceptional capabilities delivered by the Mercedes-Benz's new climatic wind tunnels. Around two thirds of the new 18-metre-high building, which covers an area 70 x 60 metres in size, is taken up by the two test rigs and their associated offices, including the control room. Vast and very well insulated windows enable the technicians to monitor every test extremely closely and to regulate temperature, humidity and wind speed as well as other settings. During a test, the sensors in the various measuring devices transmit their data to computers, where it is then displayed on monitors.
In order to simulate the road surface in each of the tunnels, powerful electric motors are used to drive four precision-built rollers, each almost two metres in diameter. As a result, even all-wheel drive vehicles can be tested under realistic conditions. The new climatic wind tunnels are furthermore so designed that they can be used by Mercedes-Benz to test a broad range of vehicle models - from the smart to the Sprinter.
The test rig is designed with an overall output of 600 kW; under overload conditions even 780 kW is possible for short periods. As a result, top speeds of up to 265 km/h are possible. The maximum tractive force of the dynamometer is 12,000 N per axle, under overload 20,000 N (to put it another way: a force of 20,000 N is sufficient to accelerate 1000 kilograms to 72 km/h in one second; acceleration is thus 20 m/s2; as a comparison, gravitational acceleration in free fall is 9.81 m/s2.
During braking tests, the rollers produce a similarly high negative force. This allows, for example, the simulation of long downhill stretches in high summer temperatures, so putting far more strain on the brakes than would be conceivable in real life.
If the test vehicle's wheels are being turned by the power of its own engine, the dynamometer takes the output produced by the vehicle engine and acts as a generator to convert this into electrical power, which it feeds into the grid. The dynamometer then produces electricity as it measures, so reducing energy consumption.
From a light breeze to a hurricane
As a general rule: whatever the route profile, the vehicle and its components are always tested under real-life conditions with a flow of air around them. This is provided in both new test facilities by a powerful wind tunnel. Its turbine can produce any form of airflow required, from a light breeze to a hurricane. As an extreme example, snowstorms with hurricane-force winds of up to 200 km/h would also be possible. Even at wind speeds of over 100 km/h, a human being cannot stand without something to hold on to.
Of course the wind speed can also be regulated as required. The airflow is controlled via a speed-regulated fan as well as by air jets with an adjustable airflow cross-section. As a rule of thumb: the smaller the cross-sectional area of the jet, the higher the speeds that can be achieved. For tests with passenger cars, the usual cross-section is eight square metres; for larger vehicles such as the Sprinter, it is increased to twelve square metres. For the Mercedes-Benz SLS AMG and other sports cars, on the other hand, the test engineers will choose a smaller opening, with an airflow cross-section of seven square metres.
As well as by adjustment of the wind speed, the sensitive regulation of climatic conditions is made possible by the ability to set the relative humidity in both the cold and the hot tunnel to a level between 5 and 95 percent. The two climatic wind tunnels do however differ in their further details, in order to be able to fulfil the wide-ranging requirements of the engineers.
Arctic cold and snowstorms in the cold tunnel
The temperature range in the cold tunnel stretches from minus 40 degrees to plus 40 degrees Celsius and thus accommodates most normal weather conditions with a generous margin. At temperatures above zero, it is possible to simulate an hourly rainfall level of up to 80 litres per square metre. At sub-zero temperatures, it is not a problem to produce even the heaviest sort of snowstorm, in which the snowflakes fly into the test vehicles at 200 km/h.
One important area of focus in the cold tunnel involves the de-icing process. Here, the heating system has to de-ice the windows of a previously deep-frozen vehicle as quickly as possible. A camera meticulously records this defrosting process.
The cold tunnel is also fitted with equipment used to simulate the build-up of dirt. In this case, the vehicle is sprayed during the test with a liquid that is visible under ultra-violet light and so can be reliably used as a means of revealing potential weak spots, which show up in the automatic photographic and video records of the test.
Simulating the desert sun in the hot tunnel
In the hot tunnel, it is possible to generate temperatures in the range from minus 10 to plus 60 degrees Celsius. The facility also includes a system for simulating the sun. Its 32 lamps radiate light with an intensity range equivalent to that of real sunlight. Over an area of 8 by 2.5 metres, it is possible to regulate this intensity to between 200 and 1200 watts per square metre. The higher figure here is comparable with the intensity of the real sun only as experienced in very few places in the world - such as Death Valley in the USA or in one or two remote desert locations. Even there it is only reached around midday when the sun is vertically overhead, corresponding as it does to a temperature of more than 50 degrees Celsius.
In the new Mercedes-Benz hot tunnel, the whole sun simulation system can be tilted sideways to as far as just five degrees above the horizon. This makes it possible to imitate very realistically the course of the sun through the day or to conduct meaningful tests in conditions involving strong sunlight from one side. Even rapid fluctuations of light and temperature, such as those experienced when clouds appear or when driving into a tunnel, can be included in the test programme. Fine mesh panels can be pushed over the front of the lamps to simulate the effect of clouds, while solid covers can be put over the lamps to imitate the abrupt change of light that comes when entering a tunnel.
A further development tool used in the new hot tunnel is the Hot Road, a simulated hot road surface, the temperature of which can be set on a continuously variable scale to between 50 and 70 degrees Celsius. This is used to simulate the heat radiated by a road in summer, as a means, once again, of creating conditions that are as realistic as possible.
State-of-the-art extinguisher
In case of an unexpected incident, both hot and cold tunnels are equipped with a high-pressure water mist extinguishing system. Should, for example, a vehicle component catch fire, perhaps as a result of overheating brakes, jet nozzles will shoot up out of the floor in just fractions of a second to smother the fire in a fine mist of tiny water droplets. This mist has the effect of cutting off the supply of oxygen to the fire, while the large surface area of the water droplets also cools the vehicle down and prevents any further fire. Another positive effect: even if a test engineer is still inside the vehicle, the extinguishing system can nevertheless be immediately triggered.
Furthermore, by using this form of extinguisher, damage to the costly prototype is kept to a minimum.
Efficient preparation ensures good usage levels
The main objective for Mercedes-Benz in building the two new climatic wind tunnels was to use efficient methods to improve vehicle quality still further. This meant bringing nature, with all its extremes of weather, right into the test facility.
But efforts to achieve efficiency do not end at this point. The facility around the two climatic wind tunnels also includes six conditioning chambers in which the prototypes are prepared for testing. In these the vehicles can, for example, be pre-cooled before being taken by an ingenious new transport system, in less than ten minutes, to the large climatic wind tunnels. Once in the tunnel they can even be refuelled during endurance testing with preconditioned fuel.
Two of the six conditioning chambers also have acoustic insulation shielding them from external noise. These conditions provide the ideal environment for the engineers in which to track down those irritating switching or clicking sounds that only occur under certain climatic conditions.
A large workshop area with all the relevant machinery and workshop equipment facilitates this advance preparation of the vehicles. Changes to vehicles or further preparation work can thus be completed on-site within a very short space of time, without the need to transfer vehicles to outlying workshops.
Measures such as these ensure that the time actually spent in the costly climate tunnels is kept to a minimum and that each vehicle can be very quickly followed by another. The aim is to maximise the use made of the facility. This objective has already been met, for just a few weeks after the first trial run, the facility is currently operating with 20 members of staff working in two shifts.
More effective road tests, around the world
The results from the climatic wind tunnels are confirmed, as ever, in real-life testing in some of the most extreme climatic conditions on earth, such as the deserts of Dubai or Namibia, the heat of Death Valley, the cold and snow of northern Sweden or the heat and humidity of the tropical jungle. But this road testing now no longer needs to start quite so early, and is used essentially for verification purposes. This, in turn, has a further side effect: the engineers and prototypes no longer need to fly so often to those far-flung corners of the earth, while the total number of test kilometres driven is also much lower. The overall ecological impact of every vehicle is therefore very positively reduced.

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Monday, July 18, 2011

Mercedes-Benz underlines its ambition to lead in automotive culture: International avantgarde in dialogue


  • Kick-off of the Mercedes-Benz 'Avantgarde Diaries' in Berlin: three-day festival and new digital interview magazine
  • Raf Simons, owner of the Men’s wearlabel ‘Raf Simons’ and curator of the Berlin 'Avantgarde Diaries – Transmission1' festival, teams up with other artists to showcase the Concept A-CLASS
  • The international avantgarde to meet in Berlin for three days
Stuttgart/Berlin. The Mercedes-Benz ‘Avantgarde Diaries' kick off today at the Berlin Congress Centre on Alexanderplatz. Until 17 July 2011, under the direction of fashion designer and curator Raf Simons, artists and trendsetters will be presenting their take on today's and tomorrow's world and engaging in dialogue with experts, as well as the general public. With this event, Mercedes-Benz is providing a creative platform for the discussion of social and contemporary issues relating to art, fashion, music, innovation, trends, culture and the automobile.
"As the inventor of the motor car, Mercedes-Benz has continually honed safety, comfort and driving pleasure through a whole series of innovations, and has created numerous new categories of vehicles in the premium segment. And our new generation of compact cars will be setting new standards in this segment as well," commented Anders Sundt Jensen, Vice President Brand Communications Mercedes-Benz Cars, at the event's opening.
Raf Simons added: "Mercedes-Benz means a great deal to me personally. The brand has been an influence on me since childhood."
Avantgarde setting for the Concept A-CLASS
One highlight of the 'Avantgarde Diaries – Transmission1' festival in Berlin is the artistic setting for the Concept A-CLASS. Joining forces here with the French lighting specialist Thierry Dreyfus and the German product designer Konstantin Grcic, the Dutch conceptual and multimedia artist Germaine Kruip combines the consummate purism of Raf Simons with the pioneering spirit of the Mercedes-Benz brand. Creating a complete experience through the use of space, light, lasers and furniture, visitors are encouraged to discover the new. The installation thus provides impressive evidence that interest and excitement about going beyond existing frontiers – not just at Mercedes-Benz – are key drivers of innovation and progress.
Staged in such an inspiring way, the showcar provides a taster of what is to come with the new A-Class, and is sure to arouse curiosity about the new generation of compact cars from Mercedes-Benz, which is due to be launched in four variants over the next four years. The brand with the three-pointed star is thereby underlining its ambition to lead and demonstrating that it will continue to point the way forward in future.
"First we take Berlin …"
As the venue for the first 'Avantgarde Diaries' festival, the Berlin Congress Centre on Alexanderplatz provides a building that ties in perfectly with the event: a potent symbol of the best in German avantgarde architecture. For three days, this impressive building designed by Bauhaus-influenced architect Hermann Henselmann will become the focal point for leading thinkers from both home and abroad. Exhibitions, discussions and performances will be held on the stage, in the lounge and studio as well as in the Showcar Suite.
The Berlin 'Avantgarde Diaries – Transmission1' kicks off an outstanding series of events that will also take in other major international cities.
The 'Avantgarde Diaries – Transmission1' festival at the Berlin Congress Centre on Alexanderplatz is open to the public on 16 and 17 July 2011 from 12 noon until midnight. Admission is free.
Digital interview magazine
Anyone unable to attend the events in person can get to meet the protagonists atwww.theavantgardediaries.com. To coincide with the eventin Berlin, Mercedes-Benz is launching a digital interview magazine, which will take a personal look at innovations, remarkable ideas and people who are influencing style and setting trends. The online format, produced in the heart of New York, will present fascinating stories about inspirational individuals from the worlds of fashion, design, music, film and mobility. Renowned designers, editors in chief, gallery owners, art directors or pop icons will use this space in future to introduce people from their lives whose ideas and work inspire them. For example, gallery owner Johann König encounters the artist Tue Greenfort, and art director Eddie Brennan presents the New York-based contemporary artist Dustin Yellin.
Ahead of its time for the last 125 years
With the 'Avantgarde Diaries', Mercedes-Benz is demonstrating the sustainability of its ambition to lead in automotive culture. Since the days of Carl Benz and Gottlieb Daimler, the Mercedes-Benz brand has constantly been looking to reinvent the car, to further its development in technological terms and to and to create icons that set benchmarks. The 540 K from 1936, the 300 SL gullwing model from 1955, and future classics such as the latest CLS and, from 2012, the sporty new A-Class are just a few examples. The brand with the three-pointed star held Europe's wealthy and aristocratic society in thrall towards the end of the 19th century, and still to this day excites people all over the world. Film directors such as Alfred Hitchcock, renowned artists like Andy Warhol and musicians such as Ringo Starr took inspiration from the Mercedes-Benz star and the vehicles it adorned to create modern-day classics in their respective genres.
Over the course of the company's history, Mercedes-Benz has been able to demonstrate time and time again, in a way that no other automotive brand can, that this is a company that is ahead of its time. Groundbreaking automotive development has, however, always gone hand in hand with the democratisation of technical innovations. With innovations such as the airbag, ABS and ESP®, Mercedes-Benz has always shown the way forward and shaped the entire automotive industry. Although they will have made their debut in luxury-class vehicles, most such safety, comfort and convenience features are now part of the standard specification across all vehicle segments.
Mercedes-Benz picks up on this tradition with the 'Avantgarde Diaries' – a response to the major challenges facing the automotive industry. With enthralling vehicles, new mobility concepts and innovative drive technologies, Mercedes-Benz is already rising to these challenges, showing itself at the same time to be a responsible brand that is well prepared for the future.
The curator and the artists
The artists were picked by Raf Simons, the curator of the Berlin 'Avantgarde Diaries – Transmission1'. Each artist will be given the opportunity to stage an exhibition, performance, concert, installation or even unveil a work of art.
Raf Simonsis a Belgian industrial and fashion designer. In 1995 he launched his own menswear label 'Raf Simons' and became head designer at Jil Sander AG in 2005. He lives and works in Antwerp, Milan and Paris. His function for the Avantgarde Diaries as a highly profiled designer is to form the festival 'Transmission 1' in Berlin with his creative input.
Peter Saville is a British art director from Manchester, best known for his album covers for Joy Division, OMD, New Order and other bands signed with the Factory Records label. His work – for instance the legendary cover for the New Order single Blue Monday in the form of an 8-inch floppy disk or the cover for the Joy Division album Unknown Pleasures – stands out with its quintessential, minimalist style. He runs his own company Peter Saville Associates. Apart from his work with the music industry, he has also worked for customers such as CNN, Adobe Systems, Givenchy and Stella McCartney. Peter Saville stages his own Mercedes-Benz SL 500 built in 1998 in the foyer of the first floor. Out of the car the song ’Transmission’ by Joy Division is playing which is a link to Peter Saville's famous work for the band’s album artwork. The installation is therefore a personal commitment of the artist and his relation to the brand.
Konstantin Grcic is a German industrial designer. He is regarded as one of the most influential contemporary designers from Germany. In 1991, Grcic founded the KGID design agency (Konstantin Grcic Industrial Design) in Munich. He has subsequently designed furniture, lighting and accessories on behalf of numerous leading design companies. His seating furniture produced out of Osorom plastic in 2002 is perhaps his most well-known piece. Grcic has received numerous accolades for his work. His MAYDAY lamp was added to the permanent collection of the Museum of Modern Art in New York in 2001. In correspondence with the showcar installation Grcic's chairs 360°/Margis will be supplied with an illuminant which results in a special art lounge experience for all guests.
Michael Clark is a Scottish dancer and choreographer. He studied at the Royal Ballet School in London. In 1984 he set up Michael Clark and Company. Since then he has been working with numerous prestigious artists and dance ensembles. Most recently his new creations were staged at the Biennale in Venice in 2009, and his work 'Come, Been and Gone', modern dance pieces set to music by David Bowie, Lou Reed and Iggy Pop, delighted audiences in October 2010. Michael Clark and his dance company will perform one of his famous pieces to the music of David Bowie at the Studio.
Jo-Ann Furnissis an editor, creative director and writer, and was editor in chief of Arena Homme+ between 2004 and 2011. She has worked on various publications including i-D, The Face, Sleazenation and Another Magazine. Jo‑Ann has also contributed features to The Independent newspaper, The New York Times, Style.com, Vogue Hommes International (Japan), Colors, Dazed and Confused and Love Magazine. She has also worked with various brands including Mugler, Giles, Emanuel Ungaro and Louis Vuitton. Jo-Ann Furniss' writing has also been featured in various books including Raf Simons: Redux, Ghetto and FashionNow: i-D Selects the World's 150 Most Important Designers. She is currently editing the Dazed and Confused 20th Anniversary book alongside Jefferson Hack. Together with her high-profile guests Tim Blanks and Paul Morley she will guide the audience through the symposium on the subject of 'Pop Culture' and give people an insight into the world of design, fashion and music.
These New Puritansis a British band from Southend-on-Sea. The band consists of singer Jack Barnett, his twin brother George Barnett, Thomas Hein and Sophie Sleigh-Johnson. They first came to prominence with their 2008 debut album, Beat Pyramid. Their second album Hidden is influenced by the later work of Steve Reich, Japanese percussion and in particular the compositions of Benjamin Britten. For this album they worked together with a unique ensemble consisting of a pianist with a minimalist approach as well as a 13-piece woodwind and brass band. With their musical piece they went on a live tour and took excellent credit for their work. These New Puritans play a one-hour live set at the Studio which will be accompanied by synthesizers and Mercedes car engines.
Peter De Potter is a Belgian artist. Since 1996 he has been contributing both as artist and writer for Belgian (including Weekend Knack) and international publications (including i-D). He was also involved in the exhibitions 'The Fourth Sex' (Pitti Immagine, Florence, 2003) and 'Excess' (Pitti Immagine, Florence, 2004). Furthermore, he was curator of NEO80 (Pitti Immagine, Florence, 2004) where his video sculpture 'The Young Gods' was also exhibited. Peter De Potter's work has been published in various magazines including Arena Homme Plus and Atmosphere. Peter De Potter will do a photographic installation on the window façade of the first floor. The series shows pictures of a remarkable size from the artist's personal archive.
Germaine Kruip is a Dutch artist. Her work has been shown in numerous international solo and group exhibitions. Raf Simons has been collecting her art for some time and teamed up with her to design the Jil Sander Flagship Store in New York. She lives in Amsterdam and Brussels. Germaine Kruip exposes two gigantic art installations in both of the stairways at BCC. The confrontation of the two pieces, one is made of marble, the other of light metal, results in a contrast of heaviness and lightness, brightness and darkness.
Begüm Sekendiz Boré is a French-Turkish journalist for fashion and art magazines. She writes her own Blog 'Dandy Gum' with a strong link to Raf Simons' work. She lives and works in Paris.
Peter Hendersonis fashion writer for a large publication. In 2008, he often wore homemade Lego accessories, leading thecoolhunter.net to label him a "gen Y hipster who still nurtures happy memories of playing with the blocks as a kid". Peter Henderson has his own Blog 'Hapsical' where he writes about his thoughts on fashion and art. He is a big fan of Raf Simons and his work.
Goose is a Belgian electro rock band consisting of members Mickael Karkousse, Dave Martijn, Tom Coghe and Bert Libeert, formed in 2000. They have made two albums and in 2002 they released their debut single 'Audience', which was used in commercials all over the world. Goose plays their electro rock sound live at the Studio. They will also play a DJ set to accompany the party after the live gigs on that night.
Fischerspooner is an electroclash band from New York City.
Source: Daimler
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Friday, July 08, 2011

Karnataka eyes BMW as state car for the CM and VVIPs

The state government of Karnataka is willing to buy three high-end bullets proof cars and has requested quotations from various carmakers. However, the government is keen on buying the BMW high-end model bullet-proof cars which is likely to cost more than Rs 2 crore, sources said.

The cars will be allotted in order of slots from Chief Minister, Governor to VVIPs/Foreign Dignitaries.

The reason behind the government’s interest in acquiring the high-end car is following British Prime Minister David Cameron comments of displeasure on security establishment over the car given to him on his visit to the state last year.

Home Department Principal Secretary SMJamdar said, “We have initiated the process to buy three high-end bullet-proof cars. The proposal to buy the best cars in the world is an old one. The state government has given consent in principal to buy the cars.”

But Jamdar clarified that the state government was “not buying these cars exclusively for the chief minister and the governor.” The chief minister and governor can use these cars continuously or as and when required as they are also considered as VIPs, he said.

Here are some of the high-end model bullet-proof cars, which Exotics in India suggests to the state:

ARMORED MERCEDES-BENZ S600

Engine:         5.5L Biturbo V12 Gasoline
Transmission: 5-Speed Automatic
Power:          510 hp @ 5,000 rpm
Tire:   275/45R19 (run-flat inserts)
Height:          58 in. (147 cm)
Length:         205 in. (579 cm)
Width: 84 in. (212 cm)
Wheelbase:    125 in. (389 cm)
Final Weight:  6,125 lbs (2,778 kg)

GENERAL ARMORING SPECIFICATIONS... LEVEL A9 (B6+)

  • All opaque material surrounding passenger area is replaced with hardened ballistic steel
  • Roof (at an angle) & floor (anti-mine protection including DM51 grenade/fragmentation)
  • Protection against high-power rifles such as 7.62x39, 5.56x45, 7.62x51 and M80 ball
  • All original glass removed and replaced with NIJ tested multi-layered ballistic glass
  • Additional areas of armoring are the fuel tank, battery and computer module
  • P.A./multi-siren system and LED strobe lights, per client's specifications
  • Reinforced door hinges to support additional weight of the armor
  • Patented designed armoring for the firewall and wheel wells
  • A complete set of four (4) high-grade run-flats installed
  • Additional protection for the floor and the radiator
  • Vision enhancement systems (camera/monitor)
  • All door and window openings are overlapped
  • Driver and passenger side power windows
  • Intelligent remote battery cut-off system
  • Customization per client's specifications
  • Customized tailpipe protection

  
ARMORED BMW 7 SERIES

Engine:         4.4L V8 Gasoline
Transmission: 6-Speed Automatic XDrive
Power:          400 hp @ 5,500 rpm
Tire:   245/50R18 (run-flat inserts)
Height:          58 in. (147 cm)
Length:         205 in. (520 cm)
Width: 75 in. (191 cm)
Wheelbase:    126 in. (320 cm)
Final Weight:  6,760 lb (3,066 kg)

GENERAL ARMORING SPECIFICATIONS... LEVEL A9 (B6+)
  • All opaque material surrounding passenger area is replaced with hardened ballistic steel
  • Roof (at an angle) & floor (anti-mine protection including DM51 grenade/fragmentation)
  • Protection against high-power rifles such as 7.62x39, 5.56x45, 7.62x51 and M80 ball
  • All original glass removed and replaced with NIJ tested multi-layered ballistic glass
  • Additional areas of armoring are the fuel tank, battery and computer module
  • P.A./multi-siren system and LED strobe lights, per client's specifications
  • Reinforced door hinges to support additional weight of the armor
  • Patented designed armoring for the firewall and wheel wells
  • A complete set of four (4) high-grade run-flats installed
  • Additional protection for the floor and the radiator
  • Vision enhancement systems (camera/monitor)
  • All door and window openings are overlapped
  • Driver and passenger side power windows
  • Intelligent remote battery cut-off system
  • Customization per client's specifications
  • Customized tailpipe protection



ARMORED ROLLS ROYCE PHANTOM

Engine:         6.75L V12 Gasoline
Transmission: 6-Speed Automatic
Power:          453 hp @ 5,530 rpm
Tire:   285/45R21 (run-flat inserts)
Height:          65 in. (164 cm)
Length:         230 in. (583 cm)
Width: 79 in. (199 cm)
Wheelbase:    140 in. (357 cm)
Final Weight:  7,798 lb (3,537 kg)

GENERAL ARMORING SPECIFICATIONS... LEVEL A9 (B6+)
  • All opaque material surrounding passenger area is replaced with hardened ballistic steel
  • Roof (at an angle) & floor (anti-mine protection including DM51 grenade/fragmentation)
  • Protection against high-power rifles such as 7.62x39, 5.56x45, 7.62x51 and M80 ball
  • All original glass removed and replaced with NIJ tested multi-layered ballistic glass
  • Additional areas of armoring are the fuel tank, battery and computer module
  • P.A./multi-siren system and LED strobe lights, per client's specifications
  • Reinforced door hinges to support additional weight of the armor
  • Patented designed armoring for the firewall and wheel wells
  • A complete set of four (4) high-grade run-flats installed
  • Additional protection for the floor and the radiator
  • Vision enhancement systems (camera/monitor)
  • All door and window openings are overlapped
  • Driver and passenger side power windows
  • Intelligent remote battery cut-off system
  • Customization per client's specifications
  • Customized tailpipe protection


Source: http://www.alpineco.com
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